Qualitative
It was very weak of Harold Biffen to come so near perishing of hunger as he did in the days when he was completing his novel. But he would have vastly preferred to eat and be satisfied had any method of obtaining food presented itself to him. He did not starve for the pleasure of the thing, I assure you. Pupils were difficult to get just now, and writing that he had sent to magazines had returned upon his hands. He pawned such of his possessions as he could spare, and he reduced his meals to the minimum. Nor was he uncheerful in his cold garret and with his empty stomach, for ‘Mr Bailey, Grocer,’ drew steadily to an end.
He worked very slowly. The book would make perhaps two volumes of ordinary novel size, but he had laboured over it for many months, patiently, affectionately, scrupulously. Each sentence was as good as he could make it, harmonious to the ear, with words of precious meaning skilfully set. Before sitting down to a chapter he planned it minutely in his mind; then he wrote a rough draft of it; then he elaborated the thing phrase by phrase. He had no thought of whether such toil would be recompensed in coin of the realm; nay, it was his conviction that, if with difficulty published, it could scarcely bring him money. The work must be significant, that was all he cared for. And he had no society of admiring friends to encourage him. Reardon understood the merit of the workmanship, but frankly owned that the book was repulsive to him. To the public it would be worse than repulsive — tedious, utterly uninteresting. No matter; it drew to its end.
- cf. An exercise in the quantative. [↩]